Marissa    the    Cinephile

My mind has been like one of those old school oscillating fans, that constantly over works itself on a sweltering summer day. All the...

After about a week of mulling over THE SHAPE OF WATER, directed by the notorious monster-loving Guillermo del Toro, I’ve come to the...

When I read about French, filmmaker Julia Ducournau's RAW last year, I intrinsically knew it be something I’d find fascinating to study....

I had a very intense dream last night, after watching I DON’T FEEL AT HOME IN THIS WORLD ANYMORE and it may have had somewhat of an...

The brilliance behind George Lucas’ 1971 THX-1138 is how he creates a “subconsciously disorienting mood” which exposes us to old school...

Dystopian, Melancholy, Existentialism, Winner of the Silver Bear, Russia

Have you ever been in an empty theater watching a movie completely alone? I got to experience this back in June when watching David...

There’s something intrinsically engrossing happening to my brain when watching Ana Lily Amirpour’s THE BAD BATCH. It has imagination, it...

If there’s one thing I love about America, it’s exploring the vast landscape through no other means than road tripping. I’ve driven...

Karyn Kusama’s THE INVITATION (2015) is eerily poetic connecting its seductively almost paralyzing ambiance, to what I imagine it feels...

Anna Biller’s THE LOVE WITCH is magnetic for a multitude of reasons whether it resides in its themes of feminism, fantasy, witchcraft and...

One cannot deny the hilarity in the opening sequence of SWISS ARMY MAN and those of you who have seen it know what I’m talking about that...

I had my first Cinefamily experience last week. I had the pleasurable chance seeing my first Lina Wertmüller film, LOVE & ANARCHY and it...

What’s so mesmerizing about Jane Campion’s THE PIANO (1993) is this feminist mindset captured by the lens tethered to vivid imagery and...

Where do I even begin with Liliana Cavani’s 1974 THE NIGHT PORTER as the core foundation of the film’s subject matter is about a...